10.1.09 Our photographers are fortunate to have Tony Carter's classical arrangements available for your customers. This show contains Bach's Minuet.
8.5.09 Your work is custom. Your work isn't composed by a machine. That's why we have artists (LIVE human beings!) that handle your work. Want to see what happens? Check out Hancock Photography and "First One to Last" by Donna Valentine.
8.4.09 When the job is "fun" and not just another day . . . .
Check out Adams Photography accompanied by "The Little Things" and Jason Fellman.
7.31.09 I just love how Serena worked with us to produce this masterpiece. Her brand comes right through. Featuring photography from Serena's Studio, and music by Daniel B. Marshall and Christian Calcatelli.
7.30.09 Time for "back to school". Maybe not quite yet. Check out Michael Lentz of Garner Studios, and Anne McNanee in "Grandmas Garden".
7.19.09 For a long time, our photographer's have been looking for classical pieces produced with at the highest quality. Thanks to Tony Carter, TheSlideshowCompany.net now offers unequaled accompaniment to our professional photographers' finest work. Enjoy Bach's "Air on a G String".
7.17.09 There's just a simple "hometown feeling" to "A Girl Like You". Can't put me finger on it. Have to hear it for yourself.
7.16.09 It's time to embrace YouTube and facebook and twitter. TheSlideshowCompany.net is perfect for giving people the reason to "network" your work. Why? Well, it's easy to share and fun to watch and listen. Period.
2.16.06 The willingness to get "down and dirty" (near the floor) can have its rewards
2.15.06 Soccer games make for great slideshows.
2.13.06 Enthusiasm can make up for everything.
1.31.06 One doesn't need a huge number of seniors to present diversity in your work.
1.13.06 Starting to use offset eyes in an artistic way.
1.9.06 Sometimes we can express the best portion of a composition in a special way.
1.8.06 Variety (or lack of) in subject distance impact the slideshow experience.
1.7.06 For the first time, we begin to take advantage of diagonal positions of subjects.
1.6.06 In event work, capturing a wide range of subjects (adults, children, teens) are materials for a fun story.
1.5.06 Pillars just jump out as composition enhancing opportunities.
12.29.05 One of first studio demos with brochure pages included.
11.30.05 One of our first shows with more than 1 of our terrific songs.
11.17.05 One of our first shows with text supplements.
11.15.05 Still struggling with portrait v.landscape orientation.
11.10.05 Everyone needs a good arch.
11.8.05 Subject motion presents challenge and opportunity. Digital photography sends "motion" away from challenge and closer to opportunity.
11.2.05 Maybe lei's should be mandatory for grooms (as long as it's sunny day).
10.28.05 Image sequences are opportunities for story telling.
10.25.05 Nancy uses linear aspects of careful subject positioning in group shots to make it less than just "another group shot".
10.5.05 The faint beginnings of 2-direction simultaneous motion.
9.26.05 Got to love terrific looking subjects, but even more perfect when they are captured "just right".
9.20.05 Are those smiles genuine? You can really tell up close.
9.9.05 One of our first shows with using photoshop layers.
8.18.05 Our slideshows add some flavor to repeated group shots.
7.20.05 Our ability to take your best photography and turn it into something spectacular . . .
6.22.05 A bow, done just right . . . .
6.19.05 Bright and shiny.
6.12.05 Our slideshows let your clients experience the mix of people and objects in a different way.
5.6.05 We customize the pace of the show per our photographer's preferences.
5.4.05 We found most text effects distracting rather than elegant.
3.10.05 (from the archive) More of the same; the music makes all the difference.
3.1.05 Even group shots seem bigger and closer with certain techniques.
2.8.05 So young . . . .
2.2.05 One can appreciate effective lighting in our slideshows.
1.25.05 We didn't see the potential of doorways at the time.
1.22.05 "Shelter" is precious.
1.21.05 Good music is essential for any good party.
1.20.05 (from the archive). A little evolution. The power of full screen, and better yet, large screen TV's, are a boon for professional photography. It means photography can be viewed bigger than ever, which only helps distinguish excellent from "not so excellent" composition.
1.19.05 And then contact lenses were invented . . .
1.18.05 Alx Photography found a way to capture their client's creativity.
1.15.05 "Group" photos don't feel as "groupie".
1.11.05 Our photographers compositions sometimes "point the way" to our own artistry.
1.6.05 Amy does a great job capturing little things - even a little "beaver" bite from the bride.
12.20.04 Bald isn't always bad . . .
12.10.04 The ability to draw the viewer to segments of the composition add a different complexion to slideshows.
11.29.04 I like how Crystal used the grooms to create some boldness.
11.9.04 The flexibility of engagement jobs, and the variety of scenery provide a great content for a slideshow.
10.29.04 Steven really captured the intercouple focus time and again.
10.24.04 Our productions let your clients view your images "up close" and "from afar"
10.17.04 It's still fun to hide and then surprise.
10.14.04 The discovery and use of "surprise", only in custom slideshows with real artists.
9.25.04 Be wary of plastic (blow-up) grooms.
9.1.04 When you caption action, it comes to life on our slideshows.
8.19.04 Smiling grooms are required. No excuses.
7.19.04 Diane was able to get her clients comfortable, making for some touching images.
7.12.04 Great music makes everybody look a little better!
6.21.04 Color interspersed between black & white images feels different on a slideshow than a print album.
1.5.04 Another early work.
1.3.04 (from the archive, actually don't know the exact date). Our first work with our "New" music, or should we say new and "terrific" music. And the music changed everything. A blast from the past: . . . It took us a long time to get over Ivelisse . . . .
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